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Wilbur Schramm:
Masscom pioneer
Wilbur
Schramm:
Masscom author
Like
most writers, Wilbur Schramm found himself often asked how he
wrote. Among his papers, scholar Beverly Ann Deepe Keever, of
the University of Hawaii at Manoa, found a manila folder tabbed
"How I Write." Inside was this brief account:
So far as I can remember, the first observer who was ever concerned
with my writing habits was my dog Shakespeare. Shakespeare was
a great shabby collie with a white Elizabethan collar and a long
sad poetic face. He was concerned less with how or what I wrote
than with when and where.
That was in the 1930s. By day, Shakespeare was in charge of entertaining
the children. By night, he was in charge of security. He would
sleep under the dining room table which was equidistant from the
two points most in need of defense: the door to the children's
bedroom and the door to the kitchen where his food was stored.
That is how my writing became of interest to him. During the day
the children left no time or space for my writing, and at night
the only place I could find to spread out manuscripts was the
dining room table under which there was usually a rather unhappy
dog....Every writer, I suppose, has to solve the problem of time
and place to write.
Books
The
Story of Human Communications: Cave Painting to the Microchip, 1987
Mass Media and National Development, 1964
Process and Effects of Mass Communication, 1954)
Mass Communications, 1949
Education
Ph.D.,
American literature, Iowa State University
M.A., American
civilization, Harvard University
New England Conservatory |
Some say Wilbur Schramm
created mass communication as a hybrid academic discipline. There is no
doubt Schramm's two influential anthologies shaped two generations of
masscom scholars. His Mass Communications, compiled in 1949, combined
seminal works in the social sciences with works by leading media practitioners
and scholars. "It combined diversity of approach with unity of target,"
Schramm wrote in the introduction. That it did.
Enthusiastic word
spread abroad, prompting requests from scholars for copies within a
week of the book's release. Demand so outstripped supply that some used
copies sold at triple the retail price. Schramm revised the trail-blazing
book in 1959, again combining important works from anthropology, economics,
political science, psychology and sociology with material from the growing
field of mass communication studies. In the meantime, in 1954, Schramm
compiled another anthology, The Process and Effect of Mass Communication. Originally, P&E was intended as a research methods primer for
U.S. information agency employees, but as Schramm pulled material together,
it was clear the book had a larger appeal. P&E was a worthy successor
to the Mass Communications anthology, but both remained in demand,
and the University of Illinois Press kept reprinting.
Thirty-one years
after P&E's introduction, and with the second edition becoming
outdated, the University of Illinois Press asked Schramm to do a third
edition. His agenda full, Schramm declined, but urged that someone do
a revision. "The only obligation is to make a book that will be as good
for the future as P&E was for its time," he asked. Schramm was
not being immodest. It was a fact, recognized everywhere, that P&E had become a mainstay in curricula of emerging mass communication departments
throughout the country and abroad.
Schramm's Mass
Communications and The Process and Effect of Mass Communication would have established his contribution as a text and academic author,
but, in a sense, they were mere warm ups. When Schramm died in 1987,
his legacy included 30 books, 25 of them translated into other languages,
and more than 120 research and scholarly papers and treatises. His personal
papers, which his family holds, contains 18,722 pages. The largest collection
in his papers is 6,158 pages for his final book, The Story of Human
Communcations: Cave Painting to Microchip,,which was in press when
he died.
The scope of Human
Communication, the whole spectrum through history, seemed an appropriate
ultimate work for Wilbur Schramm, who was 80 when he died. Schramm was
born is Oslo, his father a lawyer, his mother a music teacher. He developed
a stutter at age 5 but excelled in sports and the flute. After college,
where he studied Greek and Latin, he went to the New England Conservatory
on a flute scholarship and played in the Boston Civic Symphony. He pursued
a master's in American civilization at Harvard, then spent six years
with the Associated Press. He went to Iowa, where he earned a doctorate
in American literature and stayed on through 1941 on the faculty. For
10 years he wrote fiction for the Saturday Evening Post. His Windwagon Smith earned an O'Henry Prize.
During World War
II he served in the U.S. Office of War Information, then took over the
University of Iowa School of Journalism. At Iowa he set up the first
doctoral program in communication. From 1947 to 1955 he was at the University
of Illinois, where he compiled Mass Communication: Processes and
Effects..At Illinois he established the first communication research
institute in the country. Schramm moved to Stanford in 1955 and developed
a growing a interest in international matters. His 1964 book, Mass
Media and National Development, became standard reading in diplomacy
and policy-making circles around the world.
At Stanford, Schramm
and fellow researchers Jack Lyle and Edwin Parker conducted a massive
study into the research on television's effects on children. The conclusion
of Television in the Lives of Our Children is still widely cited.
After retiring from Stanford in 1973, Schramm was director of the East-West
Communication Institute in Honolulu. It was in Hawaii that Wilbur Schramm
died, watching television one evening. On his desk were proofs for The
Story of Human Communication.
reported
by John Vivian, 1997 |