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How to choose a publisher
By Ronald Pynn

Authors share tips for choosing a publisher

• Interview several publishers, inquiring about sales force, editorial assistance, grants and advances. (Karen Morris)

• Begin by eliminating the publishers you don't want -- those who have consistently bad relations with authors (which you can learn by talking to other authors); don't have a clue about marketing; and are unwilling to make a commitment in the form of a healthy advance against royalties and editorial support early in the writing process. (C. Leon Harris)

• Consider the size of the publisher's sales force and the size of the advance (an indication of the publisher's commitment to the project, and the number of other books on the publisher's list that may compete for the sales force's attention). Ask to see the acquisition editor's proposal for the book, which will tell you about anticipated sales, budget for promotion, etc.

• Ask what editor you will work with; what will happen if the editor you start with gets fired, promoted, etc. (Christopher Conty)

• Network with other authors and ask them about different publishers. (Mary Kay Switzer)

• Go for your first three choices. Base these choices on related/competing books in your field. Submit to all three at the same time. If you wait for a reply before you submit to another publisher, you may be in limbo for a long time. (Laura Chapman)

• Look for an solid company with a good reputation and a small to medium-sized list in your field. Look for a publisher who is not the leader in your area of expertise but is trying to develop a list in that area. You want sales reps with manageable lists that give them the opportunity to truly get to know each text and become its advocate. Some leading texts essentially sell themselves. If you are competing with a perennial bestseller, you want a representative who will actively try to get customers to change to your text rather than the one who makes the easy sale with a readoption. (Betty Azar)

• Look for how often the publisher advertises books in your field. (Richard Hodel)

This list was adapted from the TAA publication, "Tips for Successful Authoring" by Ronald Pynn.

When selecting a publisher for your manuscript, don't leap before you look. Most authors are so happy to find a publisher interested in their proposal that they accept the first offer that comes along and sign the standard publisher's contract. After all, if it's standard, then contracts from all publishers must be alike. Not so. All contracts are negotiable. Not only do you need to do your homework before accepting any publisher's offer, you need to do your homework before you ever submit a proposal to a publisher.

Before choosing a publisher:

Find out what publishing houses publish works in the area you are writing. It frustrates publishers to receive manuscripts in areas they do not publish. It adds to the author's aggravation to watch rejection letters pile up needlessly. Save yourself and the publisher time by selecting publishing houses that will consider your manuscript. Begin with Literary Market Place (also available online here). It will list all the publishing houses and the fields in which they publish. Look at your own bookshelf. Which publishers have produced the books in your field? These are the most likely prospects. Also, look at the book catalogues promoting new books. They can be a good source of information on which publishers are doing what.

Decide whether you prefer a large or small publishing firm. This may be dictated by the kind of book and the market for which you are writing. If the book is an introductory text for a mass market, then a large publisher with the resources to invest in producing a competitive text may be more appropriate. However, large publishing firms will have several introductory books in many fields, including your own. The advantage of the small publishing house is that your text probably will be the only text they publish for that market so you will get more individual attention. Find out if they have the resources or sales force to sustain the book once it gets into print. Talk with other authors publishing with the firms you are considering.

John W. Webb, coauthor of Programmable Logic Controllers: Principles and Applications, offers this advice for choosing a publisher: "Pick a publisher who has a complete line of texts in the area of your book. Check their sales record and reputation. Ask your school bookstore if they are good to work with. Find out if the publisher's sales people come around your school and how often. Does the publisher publish a new competitive book every three years or so and drop the previous book? If so, that is a bad sign."

Don't be dazzled by the lure of an advance. You are entering a business agreement. A substantial advance is usually a good thing because it indicates a publisher's willingness to commit to the project, but the advance may detract from other things you want to negotiate and have a publisher pay for. Make sure the advance is non-refundable.

Don't make your decision based on how much you like the acquisitions editor, either. He or she may not be there next year. Don't be persuaded by "wining and dining"; be hardheaded and focus on what the publisher will do for you and how much the house wants your book.

Select a publisher with which you can be happy and with whom you will develop positive, constructive relationships. Eliminate from your list publishers you don't want and investigate the rest.

Ronald Pynn has written several books on political science, including Watergate and the American Political Process, American Politics: Changing Expectations (5th Edition), Political Economy, and The Election of 1994. Pynn was a charter member of TAA, serving as a senior member during its formation. He has twice been President of TAA (1992-93, 1996-97), and he served as TAA's Executive Director from 1995-2005. He presently resides in Burlington, Vermont. This article was adapted from a publication Pynn wrote for TAA called "Tips for Successful Authoring."

 

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