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10
tips for successful marketing
"When authors invest
the dedicated time and effort to produce a textbook, it's important
that they do it with a goal that it will be adopted and read and that
it will provoke learning," said Robert Christopherson, author of the
bestselling introductory geography textbook, Elemental Geosystems. "This requires thought throughout the creation process toward our involvement
in marketing and how the post-production/sales period will progress,"
he said. "Marketing and sales are areas of publisher responsibility
for sure, and I respect these editorial channels of authority, however
I have learned that the marketing process works best with proactive,
aggressive, and consistent effort."
Christopherson shares the following
ten marketing tips and strategies:
1) Treat
authoring as a business -- create text-specific letterhead and business
cards. "The cards are quite effective in adopter contacts, with students,
and to have available at your publisher's booth at annual meetings,"
he said. "Develop a representative icon for your text that carries over
to your card and letterhead."
2) Set up
a post office box for those readers that use snail mail. Since 1995,
said Christopherson, all his texts have included his e-mail address,
along with a P.O. Box with his name salutation, at the end of the Preface.
At the beginning of the term and around finals, he receives anywhere
from a few e-mails to six to 10 per week. "The feedback I receive is
so valuable that the work input is easily justified," he said. "I respond
to each one, in earnest, and usually get a surprised and pleased response,
e.g., 'I never expected an author to actually write me back.' In my
working copy of the finished text and for my preparation file for the
next edition, I mark up the text with comments. These e-mails provide
valuable error and clarification points. After two years, when I sit
down to begin a revision on a three-year cycle, I have this ready-made
resource already in hand from hundreds of 'conversations.' As a marketing
asset, I think that all these contacts and replies develop strength
in the connective tissue that supports your textbooks in the market."
3) Be available
at your publisher's booth at professional meetings. "Make sure your
editor and marketing director have all the information for upcoming
meetings," he said. "Offer involvement in preparing ad copy for the
conference programs. Help with the booth. Usually some local sales rep
is stuck with packing up the booth on the last day, the word is out
among the sales reps that I help out - which gives me a feeling of full-cycle
involvement."
4) Offer
to proofread sales manual copy, both print and e-catalogues. "Only authors
know the buzz words, correct vernacular, vocabulary, and sales features
of their own textbook," he said. "Build on the copy the publisher provides."
5) Do the
first several editions of your ancillaries. "This will give the ancillaries
your style and approach," he said. "These editions then become the guides
for later editions that will be done by work-for-hire third parties.
I know the authors of my ancillaries and am available to them for questions
and collaboration."
6) Become
active in the instructional CD-ROM process. "My publisher invested in
an instructional CD-ROM to accompany each of my texts," he said. "By
doing all the design and preparing the functional layout, as well as
the storyboards for the animations, I was able to get the inclusion
of many features not on other CDs. Remember, this is usually personal
work 'on spec' with compensation derived from increased text sales stimulated
by the CD asset."
7) Become
involved in the creation of an interactive website for your text. View
Christopherson's at http://wps.prenhall.com/esm_christopherson_geosystems_5/
8) Make
sure that sales reps, marketing personnel, editors and adopters, know
that you are available for feedback, questions, and criticism. "Be available
to speak, when asked, at national sales meetings that most publishers
hold twice a year," he said. "We need to teach editors, sales reps,
and managers about our books and disciplines."
9) Know
your market and your competition, and write the best student-friendly
text possible - there's nothing like a great book that sells itself.
"Yes, I used the word 'sells,' for this is appropriate to say in our
important academic work!" he said.
10) Go to
TAA meetings and participate in the TAA newsletter and website. "No
one knows better the isolation that the creative process requires more
than other authors," he said. "The network and supportive web among
authors is powerful."
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