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Authoring
attorney: Don't be quick to sign
When negotiating
contracts with publishers, authors need to get over the intimidation
and ask tough questions, said Michael Lennie, an authoring attorney
and agent specializing in textbook authoring issues. Publishers come
into contract negotiations knowing every word in a contract and its
meanings and ramifications, said Lennie, while the author seldom sees
the implications. Many authors are college professors and school teachers
whose expertise is in their subject, not the law, and they're just thrilled
that a publisher is willing to take a work and publish it, he said.
That euphoria, Lennie said, causes many problems.
"Publishers come
in with a standard contract and tell authors to sign it," said Lennie.
"Most contracts get signed with the same scrutiny as signing a hotel
register." All standard contract provisions, he said, are written to
protect the publisher, not the author. "There's no reason why you can't
cross something out, he said. "You can negotiate. Just ask."
Lennie discussed
four key clauses in a contract that should be negotiated:
Electronic rights. Although
some authors don't see e-rights as an important issue right now, signing
away these rights now could tie up your e-rights through several editions.
Most e-royalties offered today, he said, are 5 percent. Publishers argue
that they have extensive set-up costs in creating an e-product, but,
said Lennie, they can recover those expenses in other ways besides the
author. Lennie suggests asking for at least 15 percent e-royalties,
being sure to include that the rate is to be renegotiated for future
editions.
Foreign rights. If
a publisher sells to a subsidiary in Canada, an many authors receive
only a quarter of the royalty rate they do in the United States. Authors
should negotiate the following into the contract:
- Make the domestic
rate include the United States, its territories and Canada.
- Define the
publisher in the contract. The line that refers only to the publisher
should read "Publisher name, its parent and affiliates."
- Require intra-company
dealings to be in good faith and at arm's length as if dealing with
a third party.
Competing works
clause. This clause says the author can't write a book that
might interfere with this textbook. Be specific about what they define
as a competing text, he said. For example, "The author would not participate
in any other book on introductory psychology aimed at first or second
year students." If not tightened up, said Lennie, authors may find themselves
in a position that binds them to the publisher for everything they write.
Publication
clause. This clause give a specific date for when the author
must submit the contract. If the author is late, the publisher can claim
breach of contract. The contract doesn't require such a specific date
for the publisher to print, only "within a reasonable time." Authors
should negotiate a provision saying something like "the publisher must
publish the work within 12 months of the date they received the manuscript
or rights revert back to the author."
Remember that both
sides come into the negotiations with a sense of what they can give
in on, said Lennie: "In any negotiations, you want to have a way to
defer to a higher authority."
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