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New
Authoring Heroes: Brill and Tasini and 30 percent
By
John Vivian
JOHN VIVIAN:
Former TAA president
"These
publishers were so greedy eyed at the prospects of wringing new
profits from electronic revenue streams that their business models
overlooked authors -- the people who create the content for this
new revenue stream."
Brill breakthrough gives textbook authors a negotiation model
for download sales." |
Authors have
new heroes: Steve Brill, the maverick creator of American Lawyer,
Brill's Content and now contentville.com, and Jonathan Tasini, president
of the National Writers Union. Together they crafted a breakthrough
arrangement on electronic royalties that, if all authors and their professional
organizations capitalize on the deal, will reshape the future of publisher-author
relations and help bring overdue equity to the relationship.
While the publishing industry has largely squeezed authors and other
content creators out of the windfall profits from recycling stories
for electronic distribution, Steve Brill agreed to a Tasini proposal
in August for a 30 percent royalty rate. It is a model that other publishers
should adopt immediately and end the growing number of law suits by
authors whose works the publishers are exploiting.
Defendants in the growing bevy of suits include the Atlantic, Bell & Howell, the Boston Globe, Dialog, Dow Jones Reuters Interactive
Knight-Ridder, the National Geographic Society, Newsday, the
New York Times, Northern Light, Reed Elsevier, Time Warner, Thomson,
and University Microfilms. These publishers were so greedy-eyed at the
prospects of wringing new profits from electronic revenue streams that
their business models overlooked authors -- the people who create the
content for this new revenue stream.
As these cases go to court, we expect the copyright ownership position
that publishers have bullied about will crumble, as it has in Tasini
v. New York Times. What should an intelligent publisher do? End
the litigation. The alternative, to defend their flawed position, will
cost publishers avoidable legal fees. Even stronger than the pecuniary
argument for publishers to concede is this: The publishers have been
on morally low ground in exploiting authors' work without, in many cases,
asking permission or even offering compensation. Now they can redeem
themselves, paying for past e-rights misdeeds, and be born again in
the eyes of the public -- and authors.
The implications of the Brill agreement cannot be overstated.
The agreement itself deals with articles that contentville.com picks
up from a variety of sources and sells to people who download them from
the web. The case has obvious implications for all the databases, including
Nexis, one of the oldest, but also databases operated by Knight-Ridder
and many others.
Academic writers have a stake too. Many companies and learned socities
that produce scholarly journals not only sell the journals but wring
supplemental profits from selling reprints and now downloads -- without
sharing this "found money" with authors. At $3 a download, which is
typical, the sums generated from this revenue stream are staggering
in the aggregate. Most academic publishers have contracts in which authors
sign off all rights to their work. These are exploitive contracts, and
authors and their professional organizations, including Text and Academic
Authors, must insist on contract changes so academic authors share in
the publishers' new e-windfalls.
Textbook publishers have moved slowly into electronic sales, but they
are on the brink of offering database services in which textbooks can
be chopped up and sold by components to web customers. The day is near
when adopters can tell students to buy Chapter 1 and 6 from the Jones
text, Chapters 4, 7 and 9 from Smith, and Chapter 11 and 18 from Vivian.
Some textbook publishers already have standard contract language that
gives them all the revenue and authors nothing from e-recycling. Others
give one-half the royalty rate of the print book for e-distribution.
In a few cases, authors have insisted on the same rate for e-variations
as in the p-book, but not even that is fair and reasonable considering
that spinning off an electronic variation takes hardly any new capital.
Every book today is put into type in a way that converts easily to e-distribution.
Is 30 percent a magic e-royalty rate? Tasini says it is with Brill's
contentville.com. We haven't seen documents from Brill's internal accounting,
but Tasini, a tough negotiator, says it's more than Brill clears from
download sales. How's that for a breakthrough in traditional publisher-author
inequity?
A reasonable position for an author to take into negotiations is a 50-50
split of publishers' revenue from e-sales after the publishers expenses
are subtracted. Publishers may be reluctant to share their internal
records on their net income, but that doesn't make a 50-50 split any
less reasonable.
Now, fellow authors, while publishers are on the defensive in the myriad
of pending and yet-to-be-filed law suits, is the moment to capitalize
on the Brill breakthrough.
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