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2
005 TAA Convention
Las Vegas, Nevada
June 24-25

Convention Registration
Convention Schedule

Convention Photos - Members Only section
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Convention News
as of August 8, 2005

Past Convention News

February 7, 2005
February 21, 2005
March 8, 2005
March 21, 2005
April 4, 2005
April 18, 2005
May 2, 2005
June 1, 2005
June 6, 2005


TAA Convention receives high marks

The majority of those attending the 2005 TAA Convention in Las Vegas this June gave the convention high marks. Most of the sessions were given an excellent or good rating. One attendee called it "a very good convention for newbies and veterans."

For rest of article: Click here to Members Only section

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Outgoing Executive Director Entertains Convention Attendees

Outgoing TAA executive director Ron Pynn depicts the typical woes of a textbook author in his convention speech, a playful poem.

For Pynn's speech: Click here to Members Only section

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Prolific grant writer shares his advice on landing grants

The key element in grant writing is attitude, said Kenneth Henson, distinguished professor at the Citadel's School of Education, and author of a new book by Allyn & Bacon, Grant Writing in Higher Education: A Step-by-Step Guide. "You have to believe that you can take it as far as you want to as long as you're willing to work hard," said Henson, during his TAA Convention presentation, "Grant Writing in Higher Education," in Las Vegas, June 22. "If you don't have a belief in your ability to succeed, it's not going to happen."

For rest of article: Click here to Members Only section

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19 Tips for first-time authors

Four authors, three from TeachingPoint, a publisher of course specific materials for el-hi and college instructors, shared their advice for first-time authors during a TAA Convention panel on "Writing for the First Time".

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Policies and politics of textbook adoptions

Christopher Stream, assistant professor of Public Administration at the University of Nevada, Las Vegas, took attendees through the history, policies and politics of textbook adoptions during his TAA Convention presentation, "Beyond the Three R's: The Policies and Politics of Textbook Adoptions."

For rest of article and Stream's Power Point file used in presentation: Click here to Members Only section

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Attorney advises authors on e-rights

The items in a publishing contract are like a bundle of asparagus, you can sell all of them together, or negotiate the terms for them one by one, said Michael Lennie, an authoring attorney and agent for Lennie Literary & Author's Attorneys during a TAA Convention panel presentation on text and academic materials development in the digital age. "Electronic rights is just one of those spears of asparagus," he said. "And on that one spear are many different e-rights elements. The author is in the enviable position of owning all of those spears."

For rest of article: Click here to Members Only section

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Eleven participate in 1:1 sessions

Eleven TAA Convention attendees took advantage of free one-on-one sessions with authoring attorney and agent Michael Lennie of Lennie Literary Agency & Authors' Attorneys, or authoring attorney Steve Gillen of Greenbaum Doll & McDonald PLLC, held during the TAA Convention in Las Vegas. Sessions ranged from 30 to 55 minutes.

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Talk Tips With Texty, McGuffey winners

Six past and present Texty and McGuffey winners shared their insights into what it takes to create an award-winning textbook at an informal roundtable lunch discussion held Saturday, June 25 during the TAA Convention in Las Vegas. Two award winners shared tip sheets.

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What publishers are looking for in authors

Most authors today don't have the technical experience to create digital content, said Ted Buchholz, senior vice president of Copyright Clearance Center, during a TAA Convention panel on text and academic material development in the digital age, but that will need to change in the future if they want to attract a publisher. "Publishers have done a good job of providing digital content services for authors, but in the future, authors are going to be asked increasingly to provide these services themselves," he says.

Buchholz oversees CCC's marketing, publisher relations, author and creator relations, research and development and business development areas. His background includes positions at Harcourt College Publishers, where he served as publisher and senior vice president and then president and chief executive officer.

He shares some additional insight into what publishers are looking for in potential new authors:

  • The ability to differentiate their planned text from the "competitors".
  • Whether they have they written something. Not a dissertation, but a trade (non academic) book that has had some success.
  • A good understanding of the market and the books he/she would compete with.
  • Organized thinking
  • A network of colleagues at other colleges who may be interested in the book.
  • Conciseness/brevity
  • A major desire to write.

Buchholz spoke at the TAA conference as part of a special "Beyond the Book" panel discussion, together with CCC colleagues Dru Zuretti, client relationship and education manager, and Christopher Kenneally, director of Author & Creator Relations, as well as "author's editor" Diane Feldman and authoring attorney and agent Michael Lennie. Details about all "Beyond the Book" programs are online at www.copyright.com/beyondthebook

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Hiring an 'author's editor' has its benefits

Diane Feldman, principal of AuthorCraft Editorial Services, an authorship consultancy that offers developmental and substantive editing, copyediting, formatting, reference checking, publications consulting and writing workshops, said textbook authors could benefit from an editor who is employed by the author, rather than the publisher. "An author's editor's goal is to make sure that when the manuscript goes to the publisher, it is in the best possible shape," said Feldman during a TAA Convention panel presentation on text and academic material development in the digital age.

An author's editor can help authors produce a clear and well-written manuscript that gets the author's message across, said Feldman: "A publisher's author wouldn't rearrange a sentence; or tell the author that he or she lost the flow of the article here; or that this point would be better made there. An author's editor is also more objective and sensitive than a colleague, who may not want to tell you what he or she really thinks of the manuscript."

Feldman said part of her job is to think ahead to ensure that mistakes aren't made along the way, and to keep everyone on track. "When the author loses track of what he or she didn't know when they started, they also lose track of what the reader doesn't know about the topic," she said. "Authors can keep their own goals in mind -- the author's editor can help the author keep the goals of the reader in mind."

The real value of working with an author's editor is that he or she becomes an author's publishing partner, she says: "He or she will work with you regularly, get to know your style, your research and your career goals. He or she will also help you target your publications and enhance your career."

Feldman shares some advice for working with publishers:

  • Don't assume that the publisher and editor know what is being done and when. All parties need to spell this all out early on.
  • Even when working electronically, don't make the project a faceless one. Nothing substitutes for a face-to-face conversation. Don't do everything electronically.
  • Follow the publisher's guidelines to the letter. The publisher's guidelines are like rules of etiquette: they smooth the process of getting the manuscript published. If you haven't followed the guidelines to the letter, the editor won't know where to look for what they're looking for and if you have provided it, they won't know in what context.

Learn more about AuthorCraft at http://www.authorcraft.net

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Protect your works: Know 'fair use' and copyright laws

Dru Zuretti, client relationship and education manager for Copyright Clearance Center, emphasized to authors the importance of protecting the copyright to their works during a June 22 TAA Convention panel presentation on text and academic material development in the digital age.

Intellectual property has become the primary fuel of the American economy, said Dru Zuretti, client relationship and education manager for Copyright Clearance Center, during a TAA Convention panel presentation on text and academic material development in the digital age.

"Intellectual property accounts for $433 billion or 5.6 percent of the gross national product," she said. "This has created an environment where people are concerned about protecting intellectual property. Intellectual property presents both a threat and opportunity right now. Text and journal authors need to understand the protection provided by copyright law, when they should be compensated for the use of their work and when it can be used by others under the fair use doctrine, because their work will be used by faculty at other institutions."

For example, fair use means that someone can make a copy of your work for their own purposes for teaching in the classroom, said Zuretti, but the use needs to be brief (you can't copy the entire work, only a potion of it), spontaneous (not a planned use) and not have a 'cumulative effect' (be used semester after semester), thus effecting the value of the work in the marketplace.

"Once something doesn't fit fair use standards, you need copyright permission," said Zuretti. "CCC can help authors license their individual works so that they get compensated when their work is used."

Before you use or let others use your work, however, make sure you own the rights to it, she said. Review your contract to see what type of uses you own and what type your publisher owns. Also, find out what the policy is on your campus for work you created while employed there. What belongs to you and what work belongs to the institution? "The use of electronic material is a hot topic right now," said Zuretti. "Google yourself to find out how your material is being used electronically."

Zuretti spoke at the TAA conference as part of a special "Beyond the Book" panel discussion, together with CCC colleagues Ted Buchholz, senior vice president, and Christopher Kenneally, director of Author & Creator Relations, as well as "author's editor" Diane Feldman and authoring attorney and agent Michael Lennie. Details about all "Beyond the Book" programs are online at www.copyright.com/beyondthebook

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Harris named 2006 TAA Convention chair

The TAA Council announced that Chris Harris will serve as convention chair for the 2006 TAA Convention in New Orleans during its annual meeting in Las Vegas June 21. Harris is a New Orleans native. He is also TAA vice president-president-elect.

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Christopherson receives TAA President's Award

TAA Treasurer Robert Christopherson received the 2005 President's Award from TAA. The President's Award is presented by the current TAA president to someone in his or her view has great potential for service in TAA. "TAA means everything to me," said Christopherson, a geology author. "Thank you." Last year's winner was John Wakefield, who is now TAA President.

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Tucker receives TAA's Norma Hood Award

TAA's Managing Director Janet Tucker received the 2005 Norma Hood Award from TAA. The Norma Hood Award is given in recognition of the efforts of a member who, because they are away from the limelight, doesn't often receive the recognition they deserve.

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Gillen receives TAA's Mike Keedy Award

TAA Council member Steve Gillen received the 2005 Mike Keedy Award from TAA. The Mike Keedy Award is named after the founder of TAA and is the highest award the organization can give a member for their work on behalf of authors. Gillen is an authoring attorney with Greenbaum, Doll & McDonald, PLLC.

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Gray's pre-convention workshop draws 17 attendees

Tara Gray's pre-convention workshop, "Publish and Flourish: Become A Prolific Scholar", held Thursday, June 22, drew 17 attendees, bringing in $1,242 in income for TAA. The workshop raised a total of $3,700. A third of that money went to expenses, a third went to TAA, and a third went to New Mexico State University's Teaching Academy, which co-sponsored the workshop.

The TAA Council approved Gray's request to present her workshop the day before the TAA convention in New Orleans in 2006. "The workshop should gain momentum each year we hold it, attracting more attendees each year," said Gray.

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Conventions Archive - info on past conventions

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